THE MOST IMPORTANT PIECES OF GEAR I HAVE ARE MY EARS AND EXPERIENCE.

Over the last 15 years I have acquired a lot of wisdom and experience. Every project is different, so this dictates what gear to use and more importantly what not to use. I pick gear based on what will serve the project* and the artist vision the best sonically. I work in a hybrid environment using a combination of analog and digital gear; and most importantly, I mix in a room that’s professionally acoustically treated so I hear the sonics of your music correctly.

  • CONSOLE: Dual Slate Raven MTI2 Control Surface

  • MONITORING: Yamaha NS-10M’s | Yamaha H8S8 Subwoofer | Auratone 5C Super Sound Mix Cube

  • CONVERTERS: Dangerous Music | Universal Audio

  • CABLING: Mogami Gold & Silver

  • PLUGIN’S: Universal Audio | Sound Toys | Empirical Labs | Softube | Sonnox | Fabfilter | Plugin Alliance | Acustica Audio | Oeksound

  • OUTBOARD GEAR:

    • MICROPHONE PRE AMPS: N/A

    • COMPRESSORS : Empirical Labs EL8 Distressor | Hairball Audio 1176 (Rev A) | Federal AM-864/U | Diamond Optical | Origin Effects Cali76

    • REVERB & DELAY: TAPCO 4400 Spring Reverb | Empress Reverb | Empress Delay

  • MICROPHONES:

    • DYNAMICS:

      • (1) AKG D12VR

      • (1) Shure SM57 Lundahl Transformer Mod | (1) Shure SM57 (Orginal)

      • (1) Shure SM7b

      • (2) Sennheiser MD 421-U-5

      • (1) Sennheiser MD 441-U

      • (1) Solomon LOFI Sub Kick

      • (1) Blue Microphones Blue Ball

    • RIBBONS:

      • (1) AEA R88

    • CONDENSERS:

      • N/A

*I also can rent any piece of gear you could want if there is a specific sonic texture you’re looking for.