THE MOST IMPORTANT PIECES OF GEAR I HAVE ARE MY EARS AND EXPERIENCE.
Over the last 15 years I have acquired a lot of wisdom and experience. Every project is different, so this dictates what gear to use and more importantly what not to use. I pick gear based on what will serve the project* and the artist vision the best sonically. I work in a hybrid environment using a combination of analog and digital gear; and most importantly, I mix in a room that’s professionally acoustically treated so I hear the sonics of your music correctly.
CONSOLE: Dual Slate Raven MTI2 Control Surface
MONITORING: Yamaha NS-10M’s | Yamaha H8S8 Subwoofer | Auratone 5C Super Sound Mix Cube
CONVERTERS: Dangerous Music | Universal Audio
CABLING: Mogami Gold & Silver
PLUGIN’S: Universal Audio | Sound Toys | Empirical Labs | Softube | Sonnox | Fabfilter | Plugin Alliance | Acustica Audio | Oeksound
MICROPHONE PRE AMPS: N/A
COMPRESSORS : Empirical Labs EL8 Distressor | Hairball Audio 1176 (Rev A) | Federal AM-864/U | Diamond Optical | Origin Effects Cali76
REVERB & DELAY: TAPCO 4400 Spring Reverb | Empress Reverb | Empress Delay
(1) AKG D12VR
(1) Shure SM57 Lundahl Transformer Mod | (1) Shure SM57 (Orginal)
(1) Shure SM7b
(2) Sennheiser MD 421-U-5
(1) Sennheiser MD 441-U
(1) Solomon LOFI Sub Kick
(1) Blue Microphones Blue Ball
(1) AEA R88
*I also can rent any piece of gear you could want if there is a specific sonic texture you’re looking for.